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Contemporary Bathroom

Inside The Umber Ritual

Some rooms begin with a plan, this one begins with a colour. Umber is the pigment of raw earth- warm, dark and faintly smoky. It sets the tone for every decision in the Umber Ritual. The result is a bathroom that feels like a continuous floor rather than a collection of parts.

A Considered Pairing of Collections

The tapware throughout comes from the Tapware and Rain shower by The Piet Boon Collection by COCOON. Alongside it, the COCOON CONCRETE COLLECTION brings softness and color with the Umber finish. Copper ties the pieces together, giving each other the same soft, finished look.

The Bath on Its Plinth

The freestanding bath sits on a raised, gently stepped platform cut from the same stone as the floor. The COCOON COVE in Umber sits on the plinth. Its form is a long oval, matte with slim walls accompanied by the PB 40 floor mounted bath mixer with diverter giving it a complete look.

The Bath on Its Plinth

The freestanding bath sits on a raised, gently stepped platform cut from the same stone as the floor. The COCOON COVE in Umber sits on the plinth. Its form is a long oval, matte with slim walls accompanied by the PB 40 floor mounted bath mixer with diverter giving it a complete look.

Twin Basins, Quiet Symmetry

Two COCOON COLUMN in Umber, stand side by side before the glazed wall. Each of the Column is paired with a wall mounted spout that arcs into the bowl. The arrangement is symmetrical without being rigid. Tall, narrow mirrors right about the columns give a sense of completion to the whole look.

Twin Basins, Quiet Symmetry

Two COCOON COLUMN in Umber, stand side by side before the glazed wall. Each of the Column is paired with a wall mounted spout that arcs into the bowl. The arrangement is symmetrical without being rigid. Tall, narrow mirrors right about the columns give a sense of completion to the whole look.

The Shower Wall

Opposite the bath, the stone wall continues into the shower area with no door or change in finish. Controls and handheld showers in the same copper tone sit at an even height. Ceiling-mounted heads hang overhead, and a linear drain is set flush into the floor so the surface remains uninterrupted.

The Shower Wall

Opposite the bath, the stone wall continues into the shower area with no door or change in finish. Controls and handheld showers in the same copper tone sit at an even height. Ceiling-mounted heads hang overhead, and a linear drain is set flush into the floor so the surface remains uninterrupted.

Copper, Warmed by Light

Brushed Copper carries through the bathroom in measured amounts: the floor mounted tap, the wall spouts, and the shower controls. The metal is matte, with a gentle warmth that sits comfortably between the dark tile and the Umber tone.

Copper, Warmed by Light

Brushed Copper carries through the bathroom in measured amounts: the floor mounted tap, the wall spouts, and the shower controls. The metal is matte, with a gentle warmth that sits comfortably between the dark tile and the Umber tone.

Inspired? Bring your vision to life

Every project begins with a vision. Whether it’s a Umber Ritual or a completely different aesthetic, our Project Division offers expert guidance at every step, from understanding the collections to shaping a bathroom that feels entirely your own.

All our materials are of the highest quality, and you can explore them firsthand through material samples delivered directly to your home. To experience the collections in person, visit one of our showrooms worldwide, where every surface, detail, and finish can be seen and felt.

For the middle

The Glazed Column

At the center stands a column of deep brown tiles, laid in tall vertical format. The glaze is slightly uneven, catching light in soft sections across each piece. It curves around the basins and rises towards the ceiling, becoming the room’s one saturated note. The column provides a clear point of arrival from every direction. A recessed niche in its lower angle holds a few essentials, lit from within by a low umber glow.

Veined stone

Stone in Motion

The walls and floor are in veined stone, cream and sand in tone with fine lines of grey travelling across each slab. The pattern appears to move. Because the stone follows the curve of the room, the veining flows with interruption. Nothing is framed or edged, and the eye is free to follow the grain from one surface to the next.

Softness against Umber

Details That Hold the Room Together

Small things are placed with intent. A folded towel on a rail. A sponge resting on the bath shelf. A side table in tinted glass and metal within reach of the water. A basket of linen at the foot of the wall. None of these exist for decoration alone. They suggest how the room is used, and they add softness against hard, polished surfaces.

For the soul

A Ritual Rather Than a Routine

A routine is something to complete. A ritual is something to take part in. Here, the sequence is clear: enter through stone, wash beneath the glazed column, bathe on the raised plinth, rinse under copper and light. Each step has its own place, its own material and its own measure of warmth. The Umber Ritual does not rely on scale or display. It relies on proportion, restraint and a disciplined palette. The outcome is a room that feels considered from the first glance to the last detail.
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